Posts Tagged ‘ data ’

processing personas

:: self-data-portrait mined from the internet ::

…created using Personas by artist Aaron Zinman >

“In a world where fortunes are sought through data-mining vast information repositories, the computer is our indispensable but far from infallible assistant. Personas demonstrates the computer’s uncanny insights and its inadvertent errors, such as the mischaracterizations caused by the inability to separate data from multiple owners of the same name.” (credits)


Dymaxion Self

November was busy. Needless to say, I am yet another apologetic blogger to use the good ol’ “sorry I haven’t posted” line… However, Postself headquarters is busting with lots of self-reflexive activity as the Fbook interface continues to provide many opportunities for dialogue and critique. For those of you who have digital profiles meshed within FB, you may want to catch up on the insightful interaction that occurs in our satellite location > < where relevant links and videos are being shared by fellow Postselfers.

Although I’ve been consumed with many tasks, I continue to live up to my manifesto on a daily basis. In fact, I am now finding that I tend to use Fbook as a strange kind of coping mechanism that contrasts what I am faced with on my other screen. At home, I work with a double screen set-up and I often go back and forth to Fbook when confronted with difficult work, the same way I venture to the kitchen for snacks. I also continue to maintain and archive my Postself “list” of anything and everything to revisit and expand upon later. Just this past week, several topics have made the blogosphere and entered into our FB portal discussions — namely, the cartoon profile campaigns that have popped up and emotional reactions to the new FB layout changes — plenty food for thought.

Speaking of archived lists….for some time now, I’ve been wanting to post about our relationship to Facebook as a digital archive — an archived database that is connected to and integrated within all of the other networked social media applications we use, such as Flickr, Twitter, Vimeo, Youtube, Tumblr, etc. For instance, I will often find myself ‘sharing’ something just to have the link made readily available in my profile and just in case one of my friends posts something in response that triggers an idea or another resource to follow up on. Because it seems I’m on Fbook so much, I tend to search through my archived links rather than venturing over to my delicious account.

This networked language we use today may be new, but the act of archiving one’s personal life is not. The internet, however, provides a multilinear process for us to use, consisting of interconnections to different locations for self-storage. A couple of years ago there was an art exhibit developed in San Francisco called “Self Storage,” which was inspired by the historical precedent of the Dymaxion Chronofile, a system that Buckminster Fuller devised to chronicle his life. I began thinking more about Fuller a month ago while preparing a paper for a conference. Then, just like anything significant and meant to be contemplated, his name kept popping up all over the place. I think Bucky Fuller was extremely far ahead of his time, with interests and behaviours quite relevant for our current cultural moment. It has been said that his life is the most documented human life in history…

From Stanford’s R. Buckminster Fuller Archive:

The centerpiece of the collection, in many ways, is the Dymaxion Chronofile, an exhaustive journal of Fuller’s trajectory from 1920 until his death in 1983. Fuller had been collecting clippings and artifacts since he was a child. But in 1917, he began a formal chronological file which he would later call the Dymaxion Chronofile. The Chronofile was a vast scrapbook that included copies of all his incoming and outgoing correspondence, newspaper clippings, notes and sketches, and even dry cleaning bills. Initially, the Chronofile was bound into handsome leather-backed volumes. In later years, to save space and expenses, the Chronofile was simply stored in boxes. By the end of his life, this exhaustive “lab notebook” of his life’s experiment amounted to 270 linear feet.

Fuller intended for the Chronofile to be a case study of his life in context, in which his daily activities were presented in parallel with developments in technology and society. In it, he at once traced the evolution of his own thoughts, relationships, and business ventures; and documented new inventions, trends, and technologies that were emerging on the broader level.

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There’s already applications being produced that allow for FB interactions to be archived in books. Which makes me wonder how we might “selfpost” differently if we knew there was the potential of our digital identities to be preserved not only on paper but bound within a book.

* thanks to Postselfer Marianela for this Youtube clip

To do: assess my data and its container

MEMO TO POSTSELF / FB = container / meta-software?

re: iNforMaTioN > “…as the power of computing increases and we must begin to think about the relationship between consciousness and our organization and dissemination of data. We must also reconsider how the organization of data reflects our collective shifts in perception and our relation to information and knowledge. Knowledge production is undergoing a radical reorganization because of the huge amount of data that is systematically being digitized and made available on the Internet. This digital reorganization means that we can anticipate the relatively fast-paced demand for, and creation of, new systems and establishments. Artists are in a unique position to participate in this process as “information architects” using data as raw material.” (Vesna, 2007)

re: SpaCe > “How one moves through a physical space such as a building or a particular room is very much determined by the way an architect has conceived it….The work presented within these spaces, in other words, cannot be viewed without a strong sense of their containers. Similarly, when navigating through various software “containers” and inputting our data, we are in effect following the established parameters of information architecture. ….the idea of an overarching meta-software that is intended to be used by one and all is alarming.” (Vesna, 2007)

*quotes above from Victoria Vesna’s “Seeing the World in a Grain of Sand: The Database Aesthetics of Everything,” in Victoria Vesna (Ed.), Database Aesthetics: Art in the Age of Information Overflow (2007)


re: eStaBliShiNg tHe iNdiviDuaL iN SOcial NetwOrk teMpLateS

“Often users can only choose from a limited set of templates. In networks that allow even less modification of the overall look , users attempt to individualize themselves by using characters (^_^) in their user names…Unlike the open source movement on Wikipedia…participants of social networks do not seem to follow a common noble goal, or celebrate a community spirit. The focus here lies on the individual, like the “i” in iTunes, the “my” in MySpace, the “you” in YouTube or the “we” in Wii (emphasizing the option of multiple individuals playing together). Even the shape of the “i” reinforces this sentiment. Similar to icons used to represent the user – a neutral figure which on one hand could apply to almost anybody, but on the other hand expresses personalization and individuality. The “i”, the torso with a faceless head stands for a promise of individuality and a big pool of me’s.”
~ Dennis Knopf, “Defriending the Web” in Digital Folklore (2009)

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